Formation 2 by Don Ricardo – ceramicist – Wild clay ceramic sculpture with an ash glaze and oxide finish.
I cut and assembled slabs of wild clay to build this piece, then I force-dry some sections, forming cracks across the surface. The form is then further manipulated with tools scavenged in urban laneways-pieces of scrap metal and discarded kitchen utensils. I dig into the block of clay, ripping away sections, and they break, forming fractures.
Once dry, I glaze with a combination of ash, rust from the streets, crushed rocks and clay, along with metal oxides. The finish is almost metallic, in tones of blacks and gunmetal and hints of the brick red wild clay.
The clay is dug, right in the heart of Sydney, and then processed minimally to ensure rocks and organic matter is present. Cavities are formed from burning off or melting.
It has a geological feeling, like it has been dug from the ground.
My practice as a ceramic artist explores the interplay between ancient and contemporary sensibilities. My work draws inspiration from diverse sources, including urban landscapes, ancient civilisations, and geological formations. Employing a material-driven approach, I utilise locally sourced clays, experiment with innovative glazes, and incorporate unconventional additives. Through this process of pushing the boundaries of the medium, I aim to imbue my functional and sculptural vessels with a sense of timelessness and fragility. These creations reflect a profound connection to the earth and a deep-seated concern for environmental sustainability.
Ceramic sculpture-wild clay
Freestanding
In stock
Sold By: Art Lovers Australia
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Formation 2 by Don Ricardo – ceramicist – Wild clay ceramic sculpture with an ash glaze and oxide finish.
I cut and assembled slabs of wild clay to build this piece, then I force-dry some sections, forming cracks across the surface. The form is then further manipulated with tools scavenged in urban laneways-pieces of scrap metal and discarded kitchen utensils. I dig into the block of clay, ripping away sections, and they break, forming fractures.
Once dry, I glaze with a combination of ash, rust from the streets, crushed rocks and clay, along with metal oxides. The finish is almost metallic, in tones of blacks and gunmetal and hints of the brick red wild clay.
The clay is dug, right in the heart of Sydney, and then processed minimally to ensure rocks and organic matter is present. Cavities are formed from burning off or melting.
It has a geological feeling, like it has been dug from the ground.
My practice as a ceramic artist explores the interplay between ancient and contemporary sensibilities. My work draws inspiration from diverse sources, including urban landscapes, ancient civilisations, and geological formations. Employing a material-driven approach, I utilise locally sourced clays, experiment with innovative glazes, and incorporate unconventional additives. Through this process of pushing the boundaries of the medium, I aim to imbue my functional and sculptural vessels with a sense of timelessness and fragility. These creations reflect a profound connection to the earth and a deep-seated concern for environmental sustainability.
