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Additional Information

Monochrome Dolly Mixtures –

A striking profusion of crisp white circles contrasting dramatically with deepest black in this Op Art inspired dimensional painting.

This work is fitted with D rings and wire for immediate hanging. The panel has a hidden wooden framework which allows the work to ‘float’ a few cms (one inch) from the wall. On the back you will find my signature, initials, title and year. It is registered on the NRAA (National Registry for Australian artists) .The work comes with details of the registration and a Certificate of Authenticity.

THE CIRCLES COLLECTION

A fascination for circles and a love of retro design led to this collection of works that combine the fun and the funky with colourful pops of colour and pattern. These upbeat paintings are filled with an eye catching proliferation of this most friendly of shapes.

I paint on surfaces which allow for the subsequent removal of the paint when dry. It is a slow process of squeezing paint into circles that then take up to a week to dry. Hundreds are needed in their dried state before being layered and glued onto their support. An individual work in progress resembles an assembly line and takes up an inordinate amount of paint.

 

Monochrome Dolly Mixtures

Julee Latimer

AUD$630
Size: 60w x 60h x 3d cms
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Acrylic mounted on wooden panel

Ready to hang

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Additional Information

Monochrome Dolly Mixtures –

A striking profusion of crisp white circles contrasting dramatically with deepest black in this Op Art inspired dimensional painting.

This work is fitted with D rings and wire for immediate hanging. The panel has a hidden wooden framework which allows the work to ‘float’ a few cms (one inch) from the wall. On the back you will find my signature, initials, title and year. It is registered on the NRAA (National Registry for Australian artists) .The work comes with details of the registration and a Certificate of Authenticity.

THE CIRCLES COLLECTION

A fascination for circles and a love of retro design led to this collection of works that combine the fun and the funky with colourful pops of colour and pattern. These upbeat paintings are filled with an eye catching proliferation of this most friendly of shapes.

I paint on surfaces which allow for the subsequent removal of the paint when dry. It is a slow process of squeezing paint into circles that then take up to a week to dry. Hundreds are needed in their dried state before being layered and glued onto their support. An individual work in progress resembles an assembly line and takes up an inordinate amount of paint.

 

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