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  • Equilibrium Pale Headed Rosellas And Azure Kingfisher.web
  • Equilibrium In Situ Bedroom
  • Equilibrium Pale Headed Rosellas In Situ.web

Additional Information

I am happiest with my work when my paintings bring together many things that I love. These include, firstly, a delight in the natural world surrounding me.  Layers of colour and pattern underlie my paintings, often combining natural plant forms with other elements from different times and cultures. My current work brings together a diverse range of influences including Asian philosophy and traditional art, textile pattern, bird-watching and the phenomenology of perception.  The work usually goes through four processes. Firstly, I create an abstract colour background with fluid paint or ink to create organic effects. Then I work with my ever growing library of custom made stencils and masks – sometimes plant forms, sometimes abstract or classical patterns. In creating these backgrounds, which I think of as abstract paintings in their own right, I try to build up interesting layers of forms, patterns and colours, so that the eye looks through depths of space, and nothing is fully grasped in the instant.  When I am happy with the background, then it is time to consider what bird subject it suggests to me. I paint the birds as realistically as my skills permit. I enjoy the contrast of a realistically detailed and modeled bird “popping” out of an abstract painting. The final stage is to re-balance the work tonally so that the subjects sit happily with the background.

I used art nouveau styled tree patterns in the background of this painting and the patterns on back of the pale headed rosellas look rather nouveau to me, and their soft pastel colours seemed to be in keeping.  The other bird is an azure kingfisher.

Equilibrium – pale headed rosellas and azure kingfisher

Susan Skuse

AUD$950
Size: 80w x 80h x 3.5d cms
View in my room

or 4 fortnightly payments of AUD$237.50 with Afterpay More info

Lithographic ink aerosol and oil on stretched canvas

Ready to hang

 

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Additional Information

I am happiest with my work when my paintings bring together many things that I love. These include, firstly, a delight in the natural world surrounding me.  Layers of colour and pattern underlie my paintings, often combining natural plant forms with other elements from different times and cultures. My current work brings together a diverse range of influences including Asian philosophy and traditional art, textile pattern, bird-watching and the phenomenology of perception.  The work usually goes through four processes. Firstly, I create an abstract colour background with fluid paint or ink to create organic effects. Then I work with my ever growing library of custom made stencils and masks – sometimes plant forms, sometimes abstract or classical patterns. In creating these backgrounds, which I think of as abstract paintings in their own right, I try to build up interesting layers of forms, patterns and colours, so that the eye looks through depths of space, and nothing is fully grasped in the instant.  When I am happy with the background, then it is time to consider what bird subject it suggests to me. I paint the birds as realistically as my skills permit. I enjoy the contrast of a realistically detailed and modeled bird “popping” out of an abstract painting. The final stage is to re-balance the work tonally so that the subjects sit happily with the background.

I used art nouveau styled tree patterns in the background of this painting and the patterns on back of the pale headed rosellas look rather nouveau to me, and their soft pastel colours seemed to be in keeping.  The other bird is an azure kingfisher.

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