• Latimer Julee Waterfall Main Image 1
  • Latimer Julee Waterfall In Situ
  • Olympus Digital Camera
  • Olympus Digital Camera
  • Olympus Digital Camera
  • Olympus Digital Camera
  • Latimer Julee Waterfall Top Edge

Additional Information

Waterfall by Julee Latimer – Shimmery silver nestles within stripes of turquoise, black, and a variety of blues in this refreshingly cool painting where the drips slip from the upper edge to cascade beyond the confines of the canvas creating shadows along the wall.

Please note that the height measurement is taken to the longest drip.

This work is fitted with D rings and wire for immediate hanging. The sides are painted, therefore, there is no need to frame. On the back, you will find my signature, initials, title, and year. It is registered on the NRAA (National Registry for Australian artists). The work comes with details of the registration and a Certificate of Authenticity.

THE FRINGE COLLECTION

“A rebellious bid for freedom”

I am interested in the relationship between the paint and the canvas. Allowing paint to escape enables a different, more dynamic way to view painting and what we can expect of it.

Waterfall

Julee Latimer

AUD$1,450
Size: 66w x 82h x 4d cms
View in my room

Mixed media on canvas

Ready to hang

In stock

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Additional Information

Waterfall by Julee Latimer – Shimmery silver nestles within stripes of turquoise, black, and a variety of blues in this refreshingly cool painting where the drips slip from the upper edge to cascade beyond the confines of the canvas creating shadows along the wall.

Please note that the height measurement is taken to the longest drip.

This work is fitted with D rings and wire for immediate hanging. The sides are painted, therefore, there is no need to frame. On the back, you will find my signature, initials, title, and year. It is registered on the NRAA (National Registry for Australian artists). The work comes with details of the registration and a Certificate of Authenticity.

THE FRINGE COLLECTION

“A rebellious bid for freedom”

I am interested in the relationship between the paint and the canvas. Allowing paint to escape enables a different, more dynamic way to view painting and what we can expect of it.

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