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Additional Information

‘Twin Silence Night’ is part of a series called ‘Silence Paradise’. Representing rain and growth, working in complete harmony and silence, without any need for planning, organising or stressing. I have always found rain to be soothing, calming and meditative. Painting these works is like my meditation, as time seems to stand still and nothing else in the world affects me.

An archival canvas and paints, and has UV protected vanish, so will not fade in direct sunlight.

This artwork comes with an external Tasmanian Oak floating frame. 2 weeks required for framing.

The total dimensions including frame:
104cm x 104cm x 4.5cm profile

If this painting is not the required size, I can do another version to your size specifications as a commission. So please contact me and I will organise a quote very quickly for you.

George Hall is a Sydney based artist, working from in Studio in the centre of Kings Cross.

Twin Silence Night

George Hall

AUD$4,580
Size: 104w x 104h x 4.5d cms
View in my room

Acrylic on canvas – Set of two

Framed

Ready to hang

 

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Sold By: George Hall

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Additional Information

‘Twin Silence Night’ is part of a series called ‘Silence Paradise’. Representing rain and growth, working in complete harmony and silence, without any need for planning, organising or stressing. I have always found rain to be soothing, calming and meditative. Painting these works is like my meditation, as time seems to stand still and nothing else in the world affects me.

An archival canvas and paints, and has UV protected vanish, so will not fade in direct sunlight.

This artwork comes with an external Tasmanian Oak floating frame. 2 weeks required for framing.

The total dimensions including frame:
104cm x 104cm x 4.5cm profile

If this painting is not the required size, I can do another version to your size specifications as a commission. So please contact me and I will organise a quote very quickly for you.

George Hall is a Sydney based artist, working from in Studio in the centre of Kings Cross.

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