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Twiggy (pink) by Steve Hamilton : The iconic Twiggy – Unframed

Screen, stage and television icon of the 1960’s+.Ā  Twiggy was named “The Face of 1966” by the Daily Express and voted British Woman of the Year.Ā  By 1967, she had modelled in France, Japan, and the US, and had landed on the covers of Vogue magazine and The Tatler.Ā Ā 

This work is a seven (7) layer stencil piece – hand cut and sprayed using quality graffiti spray paint.Ā  A street based style to a glamour icon.

Size:Ā  42cm x 59cm (work only)

The stencil is sprayed directly onto a pre-prepared coloured mount board (thick board).Ā  Total preparation and spray time is over 15 hours.

This work is not a print.Ā  It is an original piece. Prints are not made from any stencil produced by me.Ā  They are “as sprayed”.Ā  Each is individual and original in its own right.Ā  The images show some of the process undertaken as well as an indicative wall-photo.

Being a stencil based piece, it retains the characteristics of street stencil work – spray marks, natural bubbles and the deliberately imperfect approach with stencils highlights its intent on celebrating the subject but also being real.Ā  Being human is a hallmark of these works, with often less-seen images utilised in the works.

 

Twiggy

Steve Hamilton

AUD$275
Size: 42w x 60h cms
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7 layer stencil on mount board (not a print)

UnframedĀ 

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Additional Information

Twiggy (pink) by Steve Hamilton : The iconic Twiggy – Unframed

Screen, stage and television icon of the 1960’s+.Ā  Twiggy was named “The Face of 1966” by the Daily Express and voted British Woman of the Year.Ā  By 1967, she had modelled in France, Japan, and the US, and had landed on the covers of Vogue magazine and The Tatler.Ā Ā 

This work is a seven (7) layer stencil piece – hand cut and sprayed using quality graffiti spray paint.Ā  A street based style to a glamour icon.

Size:Ā  42cm x 59cm (work only)

The stencil is sprayed directly onto a pre-prepared coloured mount board (thick board).Ā  Total preparation and spray time is over 15 hours.

This work is not a print.Ā  It is an original piece. Prints are not made from any stencil produced by me.Ā  They are “as sprayed”.Ā  Each is individual and original in its own right.Ā  The images show some of the process undertaken as well as an indicative wall-photo.

Being a stencil based piece, it retains the characteristics of street stencil work – spray marks, natural bubbles and the deliberately imperfect approach with stencils highlights its intent on celebrating the subject but also being real.Ā  Being human is a hallmark of these works, with often less-seen images utilised in the works.

 

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