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Additional Information

Ripple – The organic free flow of water is restricted to straight lines in this striking painting that combines all shades of blue, from brightest aqua to deepest navy, with vibrant lime and fresh white. It has a glossy finish.

This work is fitted with D rings and wire for immediate hanging. The pattern continues around all sides, therefore, there is no need to frame. On the back you will find my signature, initials, title and year. It is registered on the NRAA (National Registry for Australian artists).The work comes with details of the registration and a Certificate of Authenticity.

THE FRAGMENTED COLLECTION

The Fragmented Collection is my biggest series to date and one which I return to often. These works use collage techniques to fragment various paintings that have been removed from any support. This enables me to decide which side of the dry paint to show, the side I saw when painting it or the side that painted itself. I think of this as hiding secrets in plain sight.

Each finished piece is, therefore, a unique combination of both sides of the original paintings resulting in an explosive blend of vibrant pattern. The more they are looked at the more there is to see.

Ripple

Julee Latimer

AUD$800
Size: 102w x 76h x 3d cms
View in my room

Acrylic on canvas

Ready to hang

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Additional Information

Ripple – The organic free flow of water is restricted to straight lines in this striking painting that combines all shades of blue, from brightest aqua to deepest navy, with vibrant lime and fresh white. It has a glossy finish.

This work is fitted with D rings and wire for immediate hanging. The pattern continues around all sides, therefore, there is no need to frame. On the back you will find my signature, initials, title and year. It is registered on the NRAA (National Registry for Australian artists).The work comes with details of the registration and a Certificate of Authenticity.

THE FRAGMENTED COLLECTION

The Fragmented Collection is my biggest series to date and one which I return to often. These works use collage techniques to fragment various paintings that have been removed from any support. This enables me to decide which side of the dry paint to show, the side I saw when painting it or the side that painted itself. I think of this as hiding secrets in plain sight.

Each finished piece is, therefore, a unique combination of both sides of the original paintings resulting in an explosive blend of vibrant pattern. The more they are looked at the more there is to see.

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