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  • Latimer Julee Rainforest In Situ
  • Olympus Digital Camera
  • Olympus Digital Camera
  • Olympus Digital Camera

Additional Information

Rainforest by Julee Latimer – Amongst the vivid emerald and refreshing aqua, two butterflies flit against a backdrop of deepest blue. A striking fragmented painting filled with swirling patterns and vibrant refreshingly cool hues.

This work is fitted with D rings and wire for immediate hanging. The pattern continues around all sides, therefore, there is no need to frame. On the back you will find my signature, initials, title and year. It is registered on the NRAA (National Registry for Australian artists).The work comes with details of the registration and a Certificate of Authenticity.

THE FRAGMENTED COLLECTION

For these works I use collage techniques to fragment various paintings that have been removed from any support. This enables me to decide which side of the dry paint to show, the side I saw when painting it or the side that painted itself. I think of this as hiding secrets in plain sight.

Each finished piece is, therefore, a unique combination of both sides of the original paintings resulting in an explosive blend of vibrant pattern. The more they are looked at the more there is to see.

Rainforest

Julee Latimer

AUD$1,300
Size: 152w x 76h x 4d cms
View in my room

Acrylic on canvas

Ready to hang

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Additional Information

Rainforest by Julee Latimer – Amongst the vivid emerald and refreshing aqua, two butterflies flit against a backdrop of deepest blue. A striking fragmented painting filled with swirling patterns and vibrant refreshingly cool hues.

This work is fitted with D rings and wire for immediate hanging. The pattern continues around all sides, therefore, there is no need to frame. On the back you will find my signature, initials, title and year. It is registered on the NRAA (National Registry for Australian artists).The work comes with details of the registration and a Certificate of Authenticity.

THE FRAGMENTED COLLECTION

For these works I use collage techniques to fragment various paintings that have been removed from any support. This enables me to decide which side of the dry paint to show, the side I saw when painting it or the side that painted itself. I think of this as hiding secrets in plain sight.

Each finished piece is, therefore, a unique combination of both sides of the original paintings resulting in an explosive blend of vibrant pattern. The more they are looked at the more there is to see.

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