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Featured in the ‘Colour Pop’ Exhibition 2021.

Pink Melody Landscape by Louise Isackson.

The formalism of the circular shape best represents the vibration of sound, as I explore ways to communicate this concept and the correlation of sound to colour. I’m also interested in depicting the illusions of abstracted light. Ideas relating to the musicality of colour really intrigue me, and my titles are often referring to notes, tonal keys, tempo, music theory and movements. What I’m most inspired to create in my paintings is translating the emotion of sound into colour, form and light. My process involves painting while listening, developing an intuition for the corresponding colours, building up layers of shapes, marks and tones in a structural composition to visualise a resonance similar to musical vibration.

I paint with oil pigment and glazing mediums. Each composition is a mood I’m wanting to create by a layering process of energetic brushstrokes that move in a variety of directions of overlapping opaque or translucent orb forms. Some of them are clean direct shapes, others blurry and obscure, while others have a shimmering quality. Strangely, painting like this transforms me into a trance-like state and engages a sense of designing the paintings.

Pink Melody Landscape

Louise Isackson

AUD$440
Size: 30w x 30h x 4d cms
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Oil on stretched canvas

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Additional Information

Featured in the ‘Colour Pop’ Exhibition 2021.

Pink Melody Landscape by Louise Isackson.

The formalism of the circular shape best represents the vibration of sound, as I explore ways to communicate this concept and the correlation of sound to colour. I’m also interested in depicting the illusions of abstracted light. Ideas relating to the musicality of colour really intrigue me, and my titles are often referring to notes, tonal keys, tempo, music theory and movements. What I’m most inspired to create in my paintings is translating the emotion of sound into colour, form and light. My process involves painting while listening, developing an intuition for the corresponding colours, building up layers of shapes, marks and tones in a structural composition to visualise a resonance similar to musical vibration.

I paint with oil pigment and glazing mediums. Each composition is a mood I’m wanting to create by a layering process of energetic brushstrokes that move in a variety of directions of overlapping opaque or translucent orb forms. Some of them are clean direct shapes, others blurry and obscure, while others have a shimmering quality. Strangely, painting like this transforms me into a trance-like state and engages a sense of designing the paintings.

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