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Down the memory lane by Anjana Rai

This heavy textured artwork is made using impasto technique with palette knife and is framed in natural pinewood floater frame, ready to hang.
The artwork comes with a signed certificate of authenticity.

Canvas size (In cm)  40 (W) x 50 (H) x 3.8 (D)

Frame size (In cm)  44 (W) x 54 (H)  x 5 (D)

About Artist: Anjana is a Sydney based palette knife artist. Anjana Rai’s art pays appreciation to the organic world of florals and landscapes. Exploring these subjects in tones and textures, her work illuminates the diversity, integrity, and complexity of the natural environment. While majority of her pieces begin as remembered scenes, sights and scapes, her imagination eagerly offers its own insertion, resulting in highly personalised, deeply sincere depictions of nature.

Employing the impasto technique, allows Anjana Rai to create dimensional, tactile works. This approach ensures an element of free-form and steers away from rigid fixation on fine details. With the utilisation of a palette knife to execute the style, and minimal to no brushwork applied, pieces venture into abstract terrain and become intricately messy by consequence.

Anjana’s art can be found in private collections in Australia, India, France, U.S.A and South Korea.

Down the memory lane

Anjana Rai

AUD$500
Size: 44w x 54h x 5d cms
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Oil on stretched canvas

Framed in natural pinewood floating frame

Ready to hang

In stock

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Additional Information

Down the memory lane by Anjana Rai

This heavy textured artwork is made using impasto technique with palette knife and is framed in natural pinewood floater frame, ready to hang.
The artwork comes with a signed certificate of authenticity.

Canvas size (In cm)  40 (W) x 50 (H) x 3.8 (D)

Frame size (In cm)  44 (W) x 54 (H)  x 5 (D)

About Artist: Anjana is a Sydney based palette knife artist. Anjana Rai’s art pays appreciation to the organic world of florals and landscapes. Exploring these subjects in tones and textures, her work illuminates the diversity, integrity, and complexity of the natural environment. While majority of her pieces begin as remembered scenes, sights and scapes, her imagination eagerly offers its own insertion, resulting in highly personalised, deeply sincere depictions of nature.

Employing the impasto technique, allows Anjana Rai to create dimensional, tactile works. This approach ensures an element of free-form and steers away from rigid fixation on fine details. With the utilisation of a palette knife to execute the style, and minimal to no brushwork applied, pieces venture into abstract terrain and become intricately messy by consequence.

Anjana’s art can be found in private collections in Australia, India, France, U.S.A and South Korea.

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