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Australian Bird Painting – Black Cockatoo

Black Cockatoos have amazing character about them. I often see the Yellow Tailed Black Cockatoo on my walks around Mount Coot-Tha and Maleny, Mapleton. This Painting was a finalist in the Waterhouse Prize 2016 and is part of my artist’s collection.

I’ve been an artist for more than 25 years and in that time my interests have remained around the things I see here in Australia mostly landscape. I’ve exhibited in galleries and events on east coast of Australia during that time and concentrated my efforts on Australian scenes and Birds with Movement and Light painted in my own style of “expressive impressionism” or “Post Impressionism”.
I used transparent watercolour to begin with and took the things I learned from experimenting with water-based mediums on paper to acrylic medium on Stretched canvas and linen. It’s a process of using multiple transparent layers of paint and dry medium fixed with acrylic painting medium. Because it takes some time for the layers to dry between coats I work in series of several similarly themed paintings over a mater of weeks. This allows me to incorporate random water and brushwork effects into the representational forms I create. All my works are original ideas and subjects are not reproduced unless in a completely different composition.
It’s really difficult to establish the credibility in representation when you work as quickly as I have to using these techniques I have developed over more than twenty five years of my art practice.
My greatest admiration goes to Vincent van Gogh for especially the works done when he was hospitalised but I love the work of our Australian expressionist Margaret Woodward and many of the European artists and transformers of the 1890 to 1920s the greatest stage of innovation I know of.
I love to see in situ photos of my work in my client’s homes, on gallery walls in the many finals I have been included in, in Australia and also in the fundraising events I participate in throughout the year.
My biggest wish is to win a major art prize and I have been in the finals of the Waterhouse Art Prize in Adelaide, The Saint George Art Prize in Sydney, The Stanthorpe Art Prize last time and several of the Lethbridge Gallery’s Prizes as well as others.  Even better work is coming out of my studio now so I’m really excited for the future.

Quality Materials

Transparent Glazes have been used in a unique way to give a more translucent effect. I use the best quality paints and mediums I can get to create the finish that I like and put them on beautiful fine quality linen stretched over kiln dried pine stretchers, thick edged,  painted around the edges and ready to hang. The work has generously sized D hooks and cord at the back. It is varnished twice to protect and enhance the surface.

Black Cockatoo

Debbie Parker

AUD$1,900 AUD$1,500
Size: 121w x 61h x 5d cms
View in my room

or 4 fortnightly payments of AUD$375 with Afterpay More info

Acrylic on high quality linen canvas

Ready to hang

In stock

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Additional Information

Australian Bird Painting – Black Cockatoo

Black Cockatoos have amazing character about them. I often see the Yellow Tailed Black Cockatoo on my walks around Mount Coot-Tha and Maleny, Mapleton. This Painting was a finalist in the Waterhouse Prize 2016 and is part of my artist’s collection.

I’ve been an artist for more than 25 years and in that time my interests have remained around the things I see here in Australia mostly landscape. I’ve exhibited in galleries and events on east coast of Australia during that time and concentrated my efforts on Australian scenes and Birds with Movement and Light painted in my own style of “expressive impressionism” or “Post Impressionism”.
I used transparent watercolour to begin with and took the things I learned from experimenting with water-based mediums on paper to acrylic medium on Stretched canvas and linen. It’s a process of using multiple transparent layers of paint and dry medium fixed with acrylic painting medium. Because it takes some time for the layers to dry between coats I work in series of several similarly themed paintings over a mater of weeks. This allows me to incorporate random water and brushwork effects into the representational forms I create. All my works are original ideas and subjects are not reproduced unless in a completely different composition.
It’s really difficult to establish the credibility in representation when you work as quickly as I have to using these techniques I have developed over more than twenty five years of my art practice.
My greatest admiration goes to Vincent van Gogh for especially the works done when he was hospitalised but I love the work of our Australian expressionist Margaret Woodward and many of the European artists and transformers of the 1890 to 1920s the greatest stage of innovation I know of.
I love to see in situ photos of my work in my client’s homes, on gallery walls in the many finals I have been included in, in Australia and also in the fundraising events I participate in throughout the year.
My biggest wish is to win a major art prize and I have been in the finals of the Waterhouse Art Prize in Adelaide, The Saint George Art Prize in Sydney, The Stanthorpe Art Prize last time and several of the Lethbridge Gallery’s Prizes as well as others.  Even better work is coming out of my studio now so I’m really excited for the future.

Quality Materials

Transparent Glazes have been used in a unique way to give a more translucent effect. I use the best quality paints and mediums I can get to create the finish that I like and put them on beautiful fine quality linen stretched over kiln dried pine stretchers, thick edged,  painted around the edges and ready to hang. The work has generously sized D hooks and cord at the back. It is varnished twice to protect and enhance the surface.

View all Artworks by Debbie Parker

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