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Additional Information

REK’s  gregarious nature is embodied in his recent collection of botanical abstract work. A stark departure from the ultra fine realistic technique he has become synonymous with – this body of work is painted in  loose graffiti style using extra large brushes and iridescent gold acrylic pens on gallery quality stretched canvas.

The liquified paint trails emulate the much craved rain drops we long for in Australia and bring movement to the piece,  which celebrates spring time and the hopeful dawning of a new chapter post covid lockdowns in Australia.

Capturing Australia’s magnificent native flora, And named in Italian meaning “Long Live Nature” a nod to the artist’s ancestry,  REK explores the Sculptural nature of these favorite flowers, using varied multilayered  techniques and a broad range of mediums to create these large scale works on canvas.

* Artwork shown with frame as indicative only example.

Viva La Natura – (Flora Australis)

REK

AUD$3,950
Size: 181w x 91h x 4d cms
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Acrylic, Graphite, charcoal and acrylic pen on cotton stretched canvas

Ready to hang

 

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Additional Information

REK’s  gregarious nature is embodied in his recent collection of botanical abstract work. A stark departure from the ultra fine realistic technique he has become synonymous with – this body of work is painted in  loose graffiti style using extra large brushes and iridescent gold acrylic pens on gallery quality stretched canvas.

The liquified paint trails emulate the much craved rain drops we long for in Australia and bring movement to the piece,  which celebrates spring time and the hopeful dawning of a new chapter post covid lockdowns in Australia.

Capturing Australia’s magnificent native flora, And named in Italian meaning “Long Live Nature” a nod to the artist’s ancestry,  REK explores the Sculptural nature of these favorite flowers, using varied multilayered  techniques and a broad range of mediums to create these large scale works on canvas.

* Artwork shown with frame as indicative only example.

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