• Latimer Julee Aqua Velva Main Image
  • Latimer Julee Aqua Velva In Situ
  • Olympus Digital Camera
  • Olympus Digital Camera
  • Olympus Digital Camera
  • Olympus Digital Camera

Additional Information

Aqua Velva by Julee Latimer – Made entirely from vibrant aqua blue paint drips, dried, and then layered in a radiating circle rippling over the canvas.

Beautiful simplicity with unusual dimensions creates a glossy minimalist work with understated wow.

The work is framed in a beautiful,  pale timber, box frame. Measurements include the frame.

This work is fitted with D rings and wire for immediate hanging. On the back, you will find my signature, initials, title, and year. It is registered on the NRAA (National Registry for Australian artists). The work comes with details of the registration and a Certificate of Authenticity.

THE DRIP COLLECTION

Each individual drip is dried separately before being layered like brushstrokes onto the canvas. It is a slow, time-consuming process that builds up dimension gradually.  The results are paintings that are created without brushes using paint that is dry before it is manipulated.

 

Aqua Velva

Julee Latimer

AUD$1,620
Size: 66w x 66h x 6d cms
View in my room

Mixed Media on canvas

Framed

Ready to hang

In stock

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Sold By: Julee Latimer

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Additional Information

Aqua Velva by Julee Latimer – Made entirely from vibrant aqua blue paint drips, dried, and then layered in a radiating circle rippling over the canvas.

Beautiful simplicity with unusual dimensions creates a glossy minimalist work with understated wow.

The work is framed in a beautiful,  pale timber, box frame. Measurements include the frame.

This work is fitted with D rings and wire for immediate hanging. On the back, you will find my signature, initials, title, and year. It is registered on the NRAA (National Registry for Australian artists). The work comes with details of the registration and a Certificate of Authenticity.

THE DRIP COLLECTION

Each individual drip is dried separately before being layered like brushstrokes onto the canvas. It is a slow, time-consuming process that builds up dimension gradually.  The results are paintings that are created without brushes using paint that is dry before it is manipulated.

 

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